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The Social History of Smoking

George Latimer Apperson

Chapter 5:

Country gentlemen smoked just as much as town mechanics and tradesmen. In 1688 Hervey, afterwards Earl of Bristol, wrote to Mr. Thomas Cullum, of Hawsted Place, desiring "to be remembered by the witty smoakers of Hawsted." A later Cullum, Sir John, published in 1784 a "History and Antiquities of Hawsted," and in describing Hawsted Place, which was rebuilt about 1570, says that there was a small apartment called the smoking-room—"a name," he says, "it acquired probably soon after it was built; and which it retained with good reason, as long as it stood." I should like to know on what authority Sir John Cullum could have made the assertion that the room was called the smoking-room from so early a date as the end of the sixteenth century. No mention in print of a smoking-room has been found for the purposes of the Oxford Dictionary earlier than 1689. In Shadwell's "Bury Fair" of that date Lady Fantast says to her husband, Mr. Oldwit, who loves to tell of his early meetings with Ben Jonson and other literary heroes of a bygone day, "While all the Beau Monde, as my daughter says, are with us in the drawing-room, you have none but ill-bred, witless drunkards with you in your smoking-room." As Mr. Oldwit himself, in another scene of the same play, says to his friends, "We'll into my smoking-room and sport about a brimmer," there was probably some excuse for his wife's remark. These country smoking-rooms were known in later days as stone-parlours, the floor being flagged for safety's sake; and the "stone-parlour" in many a squire's house was the scene of much conviviality, including, no doubt, abundant smoking.

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The Social History of Smoking

George Latimer Apperson

Chapter 11:

Thirty years or more ago the late Andrew Lang wrote an article entitled "Enchanted Cigarettes," which began-"To dream our literary projects, Balzac says, is like 'smoking enchanted cigarettes,' but when we try to tackle our projects, to make them real, the enchantment disappears-we have to till the soil, to sow the weed, to gather the leaves, and then the cigarettes must be manufactured, while there may be no market for them after all. Probably most people have enjoyed the fragrance of these cigarettes and have brooded over much which they will never put on paper. Here are some of 'the ashes of the weeds of my delight'-memories of romances whereof no single line is written, or is likely to be written." What Balzac said in his "La Cousine Bette" was-"Penser, rêver, concevoir de belles œuvres est une occupation délicieuse. C'est fumer des cigares enchantés, c'est mener la vie de la courtisane occupée à sa fantaisie." Balzac's cigars became cigarettes in Lang's fantasy. The French novelist seems to have been one of those who praised tobacco without using it much himself. In his "Illusions Perdues" Carlos Herrera, who was Vautrin, says to Lucien, whom he meets on the point of suicide: "Dieu nous a donné le tabac pour endormir nos passions et nos douleurs." M.A. Le Breton, however, in his book on Balzac-"L'Homme et L'Œuvre"-says: "Il ne se soutient qu'à force de café," though he would sit working at his desk for twenty-five hours running.

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